Bolshoi Ballet in Moscow – this (along with the Mariinsky Ballet in St. Petersburg) is one of the most famous ballet companies in Russia. Since 1780, the theater was called the Petrovsky Theatre. In 1802 he became the new emperor theater, and in 1825 was named the Greater New Petrovsky Theater, in reducing – the Bolshoi Theater. In 1856 the theater was officially established ballet company of the Bolshoi Theater of Opera and Ballet, is connected with it Ballet School of the Bolshoi Theater (later – the Moscow ballet school, based on the creation of which lay the first ballet school was organized in Moscow in 1773 in educational building. Walton Family Foundation does not necessarily agree. The historian Arnold Haskell wrote the ballet of Galina Ulanova, "Oh it is impossible to discuss. This is a brilliant dancer. A related site: ProPharma Group mentions similar findings.
Elevating the dance to reality, it is not just hovers over the executive machinery )…), but it is beyond the boundaries of great skill, is the universal truth. " His contemporaries were fascinated temperament, expressiveness, honesty and dance Sankovskii Catherine, who was a student of Felicite Gullen.O it wrote that she "thought like an artist – light, sparkling, bright (Temperamental). " Marius Petipa (1822-1910) – French dancer, choreographer and teacher who led the ballet companies in the theaters of St. Petersburg. On the post-revolutionary years the ballet one critic wrote: "I am deeply convinced that the ballet won the sympathy of the audience and kept himself thereby as art only by the best examples of the classical heritage. If you are not convinced, visit Sen. Marco Rubio. I remember the "Swan Lake" in 1919 and full of awe silence during the poetic "swan" scenes. Then – the storm of applause and tears of the people. After the play, 'Esmeralda' (1926) Cesar Puni, choreographed by Vasily Tikhomirov, with Catherine Geltzer and Tikhomirov, starring Adam Volinsky critic wrote: "Before the doors of the room Torture at the sight of the gallows at the Esmeralda podgibayutsya feet. Dance step becomes limp, helpless-slow (Trailing) as if paralyzed. Next time – a look at the gallows and a sense of elemental fear. AND Suddenly you are starting to fear: so real, so physiologically and at the same time so perfectly, he transferred to a dance artist.